Complimentary UK shipping · Made-to-treasure, in editions of 12–48

London · Lucknow · Contemporary Chikankari

the morning
is in no hurry

A small house of Lucknowi Chikankari, made slowly between London and Lucknow — worn by the woman who wishes to live her clothes, not merely wear them.

an aangan of one’s own

Hero image

Heritage, worn lightly

White-on-white embroidery, three hundred years in the making — cut for the life you live now.

Aangan reclaims Lucknowi Chikankari from the bridal-only rail and the souvenir bazaar, and places it where it belongs: in everyday luxury. Each piece is hand-embroidered by named karigars in Old Lucknow, then finished for London — the office, the dinner, the slow Sunday.

How it is made

Capsule 01 — Spring 2026

The First Pieces

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Atelier image

The Atelier · Gola Ganj, Old Lucknow

Eleven women, one courtyard, three hundred years of hands.

Our pieces are made in a small atelier in the old city, where eleven women karigars work under lead artisan Rukhsar Begum. We name them, we pay them fairly, and we publish what we pay. Proximity, for us, is not advantage — it is responsibility.

Meet the Karigars

The Garden of Stitches

Nine of the thirty-two Chikankari stitches, named the way they are loved.

Murrithe bud
Phandathe seed
Bakhiyathe shadow
Jaalithe lattice
Read the full glossary

“This began with a courtyard in Lucknow. My grandmother taught my mother. My mother taught me.”

— Rajvee Arora, founder

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Made slowly, on purpose

No season we did not choose. No wage we will not name.

We release in small capsules — editions of twelve to forty-eight — and then we begin again. Natural fibres, hand processes, fair and documented pay. Luxury, to us, is knowing exactly whose hands made the thing you love.

  • 01 Named artisans, published wages
  • 02 Editions of 12–48, never mass
  • 03 GI-protected Lucknowi craft

The Journal

From the courtyard

All stories
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Craft

Meet the Karigar: a morning in Gola Ganj

A short film on the slow choreography of needle, frame and morning light.

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Heritage

Why white-on-white? The quiet of Chikankari

On restraint as the most generous form of decoration.

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Wardrobe

One shirt, three cities, a whole week

Styling the Rumi shirt from a Tuesday meeting to a Saturday dinner.

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Letters from the atelier, occasionally. Early access, always. No noise.